{"id":3914,"date":"2020-05-13T13:54:09","date_gmt":"2020-05-13T13:54:09","guid":{"rendered":"https:\/\/istorie.unibuc.ro\/?page_id=3914"},"modified":"2024-04-11T07:10:19","modified_gmt":"2024-04-11T07:10:19","slug":"lect-univ-dr-ioana-ciocan","status":"publish","type":"page","link":"https:\/\/istorie.unibuc.ro\/facultate\/departamente\/istorie-antica-arheologie-si-istoria-artei\/lect-univ-dr-ioana-ciocan\/","title":{"rendered":"Lect. univ. dr. Ioana Ciocan"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li>Comisarul Rom\u00e2niei pentru Bienala de art\u0103 de la Vene\u021bia<\/li>\n\n\n\n<li>Membru al consiliului \u0219tiin\u021bific Muzeul Na\u021bional Cotroceni<\/li>\n\n\n\n<li>Membru al Comitetului de \u00eenfiin\u021bare \u0219i organizare al Muzeului Ororilor Comunismului<\/li>\n\n\n\n<li>Director general al Pavilionul de art\u0103 Bucure\u0219ti \u2013 Art Safari<\/li>\n\n\n\n<li>Eisenhower Fellow 2023 Eastern Europe Program<\/li>\n\n\n\n<li>Medalia \u201eMeritul Cultural\u201d, Clasa a III-a, Categoria C \u2013 \u201eArtele plastice\u201d<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Studii:<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Doctor \u00een Arte Vizuale cu tema \u201eArtele grafice \u0219i propaganda \u00een istoria modern\u0103 a artelor\u201d, Universitatea Na\u021bional\u0103 de Arte din Bucure\u0219ti, coordonator prof. univ. dr.\u00a0 Mihai M\u0103nescu<\/li>\n\n\n\n<li>Master \u00een arte vizuale Universitatea Na\u021bional\u0103 de Arte din Bucure\u0219ti, Facultatea de Arte Plastice (2007)<\/li>\n\n\n\n<li>Post graduate Diploma \u2013 Interactive Digital Media, Ravensbourne College of Design and Communication, The University of Sussex (2007)<\/li>\n\n\n\n<li>Licen\u021b\u0103 \u00een Arte, profiul Arte plastice \u0219i decorative, Specializarea Grafic\u0103, Universitatea Na\u021bional\u0103 de Arte din Bucure\u0219ti, Facultatea de Arte Plastice (2003)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Activitate curatorial\u0103 (selec\u021bie):<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Director program expozi\u021bional<strong> \u201e<\/strong>Romanian Oil Painting Master Corneliu Baba, China Tour Exhibition\u201d: Muzeul Quan Shanshi din Hangzhou, Jiangxi Provincial Art Museum, Ningbo Huamao Art Museum, Han Yuchen Art Museum, Handan \u0219i la Gallery of Chinese Academy of Oil Painting organizat de Quan Shansi Art Museum, Funda\u021bia Cultural\u0103 Art Society \u0219i Institutul Cultural Rom\u00e2n<\/li>\n\n\n\n<li>Ini\u0163iator \u015fi coordonator al programelor de art\u0103 in spa\u021biul public <em>Sculptur\u0103 en plein Air-ul Aiurart <\/em>(din 2013), <em>Spam <\/em>(2012-2013), <em>Proiect 1990<\/em> (ianuarie 2010-aprilie 2014).<\/li>\n\n\n\n<li>Membru echipa Curatoriumului care a dezvoltat dosarul de candidatur\u0103 Bucure\u0219ti 2021 \u2013 Capital\u0103 Cultural\u0103 European\u0103 (2015)<\/li>\n\n\n\n<li>Proiectul <em>Culture of Hay<\/em>, Pavilionul Rom\u00e2niei la Romanian World Expo 2015, Milano; concept: Vintil\u0103 Mih\u0103ilescu, Attila Kim, Teodor Mitrana, Drago\u0219 Lumpan, Ioana Ciocan\u00a0 (premiul II)<\/li>\n\n\n\n<li><em>retrospectiv\u0103 din dragoste<\/em>, Ana B\u0103nic\u0103, Programul curatorial Arcub, Bucure\u0219ti<\/li>\n\n\n\n<li>Cea mai b\u0103tr\u00e2n\u0103 zi, Alexandru R\u0103dvan, Programul curatorial Arcub, Bucure\u0219ti<\/li>\n\n\n\n<li><em>De la textil la tactil \u2013 o lume a visului<\/em>, Ana B\u0103nic\u0103, Dorina Hor\u0103t\u0103u, Ioana Stanca, Institutul Cultural Rom\u00e2n, Bucure\u0219ti &#8211; <strong>2018<\/strong><\/li>\n\n\n\n<li><em>Going East<\/em>, 100 Romanian Masters, group exhibition, Institutul Cultural Rom\u00e2n, Londra<\/li>\n\n\n\n<li><em>Pleasures of Paradox \/ Fine Stone<\/em>, \u00a0Hirotoshi\u00a0Ito sculptur\u0103, Galeria Galateca, Bucure\u0219ti &#8211;\u00a0 <strong>2017<\/strong><\/li>\n\n\n\n<li><em>Despre oameni<\/em>, Ana Kun, desen, Spa\u021biul Alert, Bucure\u0219ti &#8211;\u00a0 <strong>2017<\/strong><\/li>\n\n\n\n<li><em>A+B<\/em>, solo show Ana B\u0103nic\u0103, Five Plus Galley, Viena, AT &#8211;\u00a0 <strong>2017<\/strong><\/li>\n\n\n\n<li><em>Out of the Blue<\/em>, Ana B\u0103nic\u0103, Claudia Br\u0103ileanu, Mihaela Buhaev, Norbert Filep, Andrei Gamar\u021b, Bianca Mann, Alina Marinescu, R\u0103zvan N\u0103stase, Vlad Olariu, Lea Rasovszky, Roman Tolici, expozi\u021bie de grup, Mobius Gallery, Bucure\u0219ti &#8211; &#8211;\u00a0 <strong>2017<\/strong><\/li>\n\n\n\n<li><em>Second of May<\/em>, Miri Mor, Victoria Art Center, Bucure\u0219ti &#8211; <strong>2016<\/strong><\/li>\n\n\n\n<li><em>Z\u00e2ne \u0219i inimi<\/em>, Mimi Ciora, instala\u021bie, Galateca, Bucure\u0219ti &#8211; <strong>2016<\/strong><\/li>\n\n\n\n<li><em>Retelling Love II<\/em>, Ana B\u0103nic\u0103, Giulia Cre\u021bulescu, Daniela Gaie, Alina Marinescu, instala\u021bie, Go Contemporary, Bucure\u0219ti &#8211; <strong>2016<\/strong><\/li>\n\n\n\n<li><em>Retelling Love I<\/em>, Ana B\u0103nic\u0103, Giulia Cre\u021bulescu, Daniela Gaie, Alina Marinescu, instala\u021bie, Parallel Vienna, Viena, AT &#8211; <strong>2016<\/strong><\/li>\n\n\n\n<li><em>Reshaping Landscapes<\/em>, Claudia Br\u0103ileanu, Beniamin Popescu, R\u0103zvan N\u0103stase, Five Plus Galley, Viena, AT &#8211; <strong>2016<\/strong><\/li>\n\n\n\n<li><em>Be the Change, <\/em>Lea Rasovszky, instala\u021bie urban\u0103<em>, <\/em>Londra, UK &#8211; <strong>2016<\/strong><\/li>\n\n\n\n<li><em>Z\u00e2ne<\/em>, Mimi Ciora, instala\u021bie, desen, Galeria Calina, Timi\u0219oara &#8211; <strong>2016<\/strong><\/li>\n\n\n\n<li><em>Be the Change, <\/em>Lea Rasovszky, instala\u021bie urban\u0103<em>, <\/em>Leicester, UK &#8211; <strong>2015<\/strong><\/li>\n\n\n\n<li><em>Manhood- Inner objects in outer spaces \/ Inner spaces in outer objects, <\/em>sculptur\u0103, Vlad Berte, Spa\u021biul Aiurart, Timi\u0219oara Art Encouters Art Guest House Cazarma U, 3 &#8211; 31 octombrie 2015<\/li>\n\n\n\n<li><em>ArtBorescent<\/em>, reziden\u021b\u0103 de sculptur\u0103<em>,<\/em> (Leontin P\u0103un, Roberta Curc\u0103, Adrian Preda, Valentin Soare, Lea Rasovszky, Alexandru Petre, Hellene Neagu, \u0218tefan Curelaru, Mihai Ungureanu), Conacul Oteteli\u0219anu- <strong>2015<\/strong><\/li>\n\n\n\n<li><em>Minerii de gr\u0103din\u0103<\/em>, Emanuel Borcescu, interven\u021bie urban\u0103, Pia\u021ba Universit\u0103\u021bii, Bucure\u0219ti<\/li>\n\n\n\n<li><em>Copilul minerului<\/em>, Emanuel Borcescu, instala\u021bie, Lateral ArtSpace, Fabrica de pensule, Cluj<\/li>\n\n\n\n<li><strong>Dup\u0103 25 de ani @ NAG Pop Up Gallery, Bucure\u0219ti (august 2014- ianuarie 2015)<\/strong>\n<ul class=\"wp-block-list\">\n<li><em>Schlafwagen<\/em>, desen\/obiect, Emanuel Borcescu<\/li>\n\n\n\n<li><em>Prezen\u021ba obligatorie<\/em>, performance de Marina Oprea&amp;Gabriela Mateescu<\/li>\n\n\n\n<li><em>Golden Black<\/em>, instala\u021bie, Radu Mocanu<\/li>\n\n\n\n<li><em>\u021aic\u0103! A c\u0103zut Ceau\u0219escu!,<\/em> instala\u021bie, Andreea Dobrin<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Art on display \u2013 proiect de interven\u021bie urban\u0103 al Asocia\u0163iei Ephemair (2014)<\/strong>\n<ul class=\"wp-block-list\">\n<li><em>Mul\u021bumesc anticipat, <\/em>interven\u021bie de Andreea Dobrin, Muzeul Enescu, Bucure\u0219ti<\/li>\n\n\n\n<li><em>Black Box<\/em>, dioram\u0103 de Bogdan Ciocodeic\u0103&amp;Diana Ro\u0219u, spa\u021biu neconven\u021bional, Cal. Victoriei, Bucure\u0219ti<\/li>\n\n\n\n<li><em>Golden Black<\/em>, Radu Mocanu, obiect, spa\u021biu neconven\u021bional, Cal. Victoriei, Bucure\u0219ti<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Transformation. Romanian Sculpture 25 Years After the Revolution <\/strong>(noiembrie 2013- februarie 2014)<\/li>\n\n\n\n<li>Expozi\u021bie de grup: Judit Balko, Mihu\u021b Bo\u0219cu Kafchin, Radu Cioca, \u0218tefan Radu Cre\u021bu, Andrea Dobrin, Costin Ioni\u021b\u0103, Radu Mocanu, Vlad Olariu, Alexandru Potec\u0103, Larisa Sitar, Mircea Suciu, Mihai Zgondoiu, Muzeul Beelden aan Zee, Haga, Olanda, co-curator Cees Hendrikse (NL)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Expozi\u021bii (selec\u021bie):&nbsp;<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Tricolor<\/em>, Atelier 030202, curator Mihai Zgondoiu, Noaptea Galeriilor 7<\/li>\n\n\n\n<li><em>Din cauza II<\/em>, desen pe geam, \u00een cadrul expozi\u021biei\u00a0 UNArte Grafice, Muzeul de Art\u0103 din Cluj-Napoca<\/li>\n\n\n\n<li><em>Plai natal, gr\u0103din\u0103-n floare<\/em>, Atelier 030202, curator Mihai Zgondoiu, Noaptea alb\u0103 a Galeriilor 6<\/li>\n\n\n\n<li><em>Una mie, una \u021bie<\/em>, obiect comestibil, curatori Eugen Gustea \u0219i Carmen Apetrei, galeria UNA, Bucure\u0219ti<\/li>\n\n\n\n<li><em>Trei culori cunosc pe lume<\/em>, instala\u021bie comestibil\u0103 cu sunet, curator Mihai Zgondoiu, Noaptea Galeriillor 5, Bucure\u015fti<\/li>\n\n\n\n<li><em>Brilliant Taste, <\/em>instala\u021bie comestibil\u0103, C\u0103rture\u0219ti, Bucure\u0219ti, finan\u021bat\u0103 de HTC \u0219i Vodafone<\/li>\n\n\n\n<li><em>Dulce Bucure\u0219ti, <\/em>instala\u021bie comestibil\u0103, previzionarea Pavilionului Rom\u00e2niei din cadrul Bienalei de Arhitectur\u0103 de la Vene\u021bia, Atelierul de Produc\u021bie, Bucure\u0219ti, finan\u021bat\u0103 de 1:1<\/li>\n\n\n\n<li><em>Ciocan vs. Ulyanov, <\/em>sculptur\u0103 comestibil\u0103, Pia\u021ba Presei Libere, Bucure\u0219ti<\/li>\n\n\n\n<li><em>M\u0103n\u00e2nc\u0103-m\u0103, <\/em>instala\u021bie comestibil\u0103, Galeria Galateea, Bucure\u0219ti<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Studii:<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Doctor \u00een Arte Vizuale cu tema \u201eArtele grafice \u0219i propaganda \u00een istoria modern\u0103 a artelor\u201d, Universitatea Na\u021bional\u0103 de Arte din Bucure\u0219ti, coordonator prof. univ. dr.&nbsp; Mihai M\u0103nescu<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Master \u00een arte vizuale Universitatea Na\u021bional\u0103 de Arte din Bucure\u0219ti, Facultatea de Arte Plastice (2007)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Post graduate Diploma \u2013 Interactive Digital Media, Ravensbourne College of Design and Communication, The University of Sussex (2007)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Licen\u021b\u0103 \u00een Arte, profiul Arte plastice \u0219i decorative, Specializarea Grafic\u0103, Universitatea Na\u021bional\u0103 de Arte din Bucure\u0219ti, Facultatea de Arte Plastice (2003)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Publica\u021bii <\/strong>(selec\u021bie)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Sculpturi din \u00eent\u00e2mplare, Sculpture happens<\/em>, ISBN 978-973-50-7452-2, editura Humanitas, Bucure\u0219ti, 2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I. , et. Al., <em>Monumente disp\u0103rute, str\u0103mutate, salvate<\/em>, ISBN 978-606-95465-4-3, p. 219-231, editura Muzeul Na\u021bional Cotroceni, Bucure\u0219ti, 2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Art Safari Bucure\u0219ti, mereu \u00een avangard\u0103<\/em>, Revista Arta, 26-27\/2017, p. 12-15, ISSN 0004-3354<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>A+B \/ Ana B\u0103nic\u0103, <\/em>9786068642505 editura Vellant, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., et. Al., <em>My Art Guide \/ East Central Europe<\/em>, 978-88-6384-039-1, Lightbox Publishing, Basel, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., et. Al., <em>Art Safari 2016, Pavilionul de Art\u0103 Bucure\u0219ti<\/em>, 978-606-8605-53-1, editura Artmark, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., et. Al., <em>Art Safari 2015<\/em>, Bucharest Art Fair, 978-606-8605-35-7, editura Artmark, 2015<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., et. al., <em>Transformation. Romanian Sculpture 25 Years After the Revolution<\/em>, 978-606-8642-09-3, editura Vellant, 2014<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Proiect 1990, program de art\u0103 \u00een sp\u021biul public&nbsp; 2010-2014\/Proiect 1990, Art in Public Spaces 2010-2014<\/em>, ISBN 978-973-1984-24-7, editura Vellant, 2014<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Blood Swept Lands and Seas of Red<\/em>, Revista Arta, 12\/2014, p. 131, ISSN 0004-3354<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Dou\u0103zeci \u0219i doi la patru<\/em>, Revista Arta, 11\/2014, p. 68, ISSN 0004-3354<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Ileana Oancea c\u00e2\u0219tig\u0103 prima edi\u021bie Spam<\/em>, Revista Arta, 11\/2014, p. 131, ISSN 0004-3354<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Zhang Xiaogang<\/em>, Forma, nr 15\/2014, p.89-91 ISSN: 2068-4436 \/ Opinia Na\u021bional\u0103, nr. 592, Bucure\u0219ti, octombrie&nbsp; 2012, p.4<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>SPAM<\/em>, Revista Arta, 8-9\/2013, p. 68-68, ISSN 0004-3354<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Martin Honert<\/em>, Revista Arta, 8-9\/2013, p. 117-119, ISSN 0004-3354<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I. et al., <em>Atelier deschis: strada<\/em>, Atelier deschis, UNARTE, Facultatea de Arte Decorative, Bucure\u0219ti, ISBN 978-606-8296-97-5, editura UNARTE, 2014, p. 64-69<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Spam Copy\/Paste<\/em> \u0219i-a desemnat c\u00e2\u0219tig\u0103torii, Opinia Na\u021bional\u0103, nr. 606, Bucure\u0219ti, ianuarie 2013, p.5. ISSN 1221-4019 \u0219i ISBN 1841-4265 (online)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Ai Weiwei<\/em>, Revista Arta, 6-7\/2012, p. 178, ISSN 0004-3354<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Ai Weiwei-Interlacing Jeu de paumme<\/em>, Opinia Na\u021bional\u0103, nr. 595, Bucure\u0219ti, octombrie 2012, p.4, ISSN 1221-4019 \u0219i ISBN 1841-4265 (online)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Yue Minjun<\/em>,&nbsp; Opinia Na\u021bional\u0103, nr. 594, Bucure\u0219ti, octombrie 2012, p.4, ISSN 1221-4019 \u0219i ISBN 1841-4265 (online)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Spam<\/em>,&nbsp; Opinia Na\u021bional\u0103, nr. 593, Bucure\u0219ti, octombrie&nbsp; 2012, p.4, ISSN 1221-4019 \u0219i ISBN 1841-4265 (online)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Zhang Xiaogang<\/em>, Opinia Na\u021bional\u0103, no. 592, Bucharest, October 2012, p.4, ISSN 1221-4019 \u0219i ISBN 1841-4265 (online)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I, <em>Art\u0103 chinez\u0103 contemporan\u0103 (I-II)<\/em>, revista Casa prieteniei nr. 3\/iunie-iulie 2012\/4709, p. 28-29<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Un spa\u021biu expozi\u021bional de tranzit<\/em>, Opinia Na\u021bional\u0103, nr. 557, Bucure\u0219ti, 12-19 decembrie 2011, p.8, ISSN 1221-4019 \u0219i ISBN 1841-4265 (online)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Pentru un parc al statuilor comuniste<\/em>, Revista 22, XXII\/1135, 06 &#8211; 12 decembrie 2011, p.10<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I., <em>Proiect 1990<\/em>, Revista Arta, 1\/2011, iulie 2011, p. 40, ISSN 0004-3354<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I. et al., <em>Un spa\u021biu expozi\u021bional de tranzit<\/em>, Spa\u021biul \u0219i forma artistic\u0103 azi<em>, <\/em>UNARTE, Facultatea de Arte Decorative, Bucure\u0219ti, mai 2011, p. 26<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ciocan I. et al., <em>Arta str\u0103zii, <\/em>Art Context, UNARTE, Facultatea de Arte Plastice, Bucure\u0219ti, mai 2010, p. 68<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Editor <em>My Art Guide \/ East Central Europe, ed. 2016<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Editor asociat <em>Revista Arta<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Studii: Activitate curatorial\u0103 (selec\u021bie): Expozi\u021bii (selec\u021bie):&nbsp; Studii: Doctor \u00een Arte Vizuale cu tema \u201eArtele grafice \u0219i propaganda \u00een istoria modern\u0103 a artelor\u201d, Universitatea Na\u021bional\u0103 de Arte din Bucure\u0219ti, coordonator prof. univ. dr.&nbsp; Mihai M\u0103nescu Master \u00een arte vizuale Universitatea Na\u021bional\u0103 de Arte din Bucure\u0219ti, Facultatea de Arte Plastice (2007) Post graduate Diploma \u2013 Interactive Digital [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":173,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-3914","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaobZd-118","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/istorie.unibuc.ro\/facultate\/wp-json\/wp\/v2\/pages\/3914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/istorie.unibuc.ro\/facultate\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/istorie.unibuc.ro\/facultate\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/istorie.unibuc.ro\/facultate\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/istorie.unibuc.ro\/facultate\/wp-json\/wp\/v2\/comments?post=3914"}],"version-history":[{"count":3,"href":"https:\/\/istorie.unibuc.ro\/facultate\/wp-json\/wp\/v2\/pages\/3914\/revisions"}],"predecessor-version":[{"id":14803,"href":"https:\/\/istorie.unibuc.ro\/facultate\/wp-json\/wp\/v2\/pages\/3914\/revisions\/14803"}],"up":[{"embeddable":true,"href":"https:\/\/istorie.unibuc.ro\/facultate\/wp-json\/wp\/v2\/pages\/173"}],"wp:attachment":[{"href":"https:\/\/istorie.unibuc.ro\/facultate\/wp-json\/wp\/v2\/media?parent=3914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}